12 Jun Activity Center, Michael Renkel & Burkhard Beins
Michael Renkel: strings & percussion
Burkhard Beins: percussion & strings
Over the course of 25 years Activity Center has developed a unique style of musical performance. Their distinctive way to “create spontaneous compositional structures” has been referred to as “improvised sound art” as well as “hand-played musique concrete”.
Their long sold out double-CD ‘Moewen & Moos’ (1999) has been regarded as a milestone of it’s genre, while they have managed to build bridges between generations and allegedly also styles with their CD ‘Activity Center & Phil Minton’ in 2005. With ‘Lohn & Brot’, their most recent release from 2010, they have summed up their wide range of musical experience in electro-acoustic splendor. The Activity Center was founded in 1989 when post-war Germany stumbled into a new aera and post-punk finally felt worn out. Renkel and Beins played their first concert in the legendary Hannover underground club ‘Silke Arp bricht’, and their second one as part of a Guenter Christman ‘Vario’ project. After the duo had been the core of the ‘Hamburger Salon’ for a while it re-established itself within the freshly evolving Berlin Echtzeitmusik scene around 1995. Their Berlin version of the ‘2:13 Club’ at ‘Vollrads Tonsaal’ became a central meeting point of the so-called ‘Berlin Reductionism’ and it’s like-minded companions from London throughout the late 1990’s – at a time when this musical episode didn’t have any names yet. Activity Center gained some recognition for playing it’s idiosyncratic version of it and consequently became one of the original ingredients of the Berlin “all star group” Phosphor at the turn of the millennium and throughout the decade of the group’s existence.
“This music adds new meaning and new vitality to the ‘genre’ of guitar and percussion improv – in fact it ignores the genre altogether and creates something better. Other improv players dream, in their politically correct and polite way, of leaving enough space for their fellow collaborators to perform… Activity Center go one stage further, and create that space – defining huge areas of interactive possibility between the notes… Renkel and Beins use their brains, they can actually play and improvise in meaningful ways, and they connect and interact to produce music and sonic effects of the first water.
This method – and this music – guarantees your listening delight – you sit and wait in fascination. What will come next?” Ed Pinsent, The Sound Projector
“Beins and Renkel create spontaneous compositional structures, by finding musicality in non-musical sounds… there’s a beguiling opposition between tone and noise… The result is an intensely musical improvised sound art, by players uncannily gifted in exact choice and fine replacement of sounds.”
Andy Hamilton, The Wire
“Beins and Renkel’s fractured instrumentation … rock out to a scattered beat of madness, joy and sheer bedlam”
Edwin Pouncy, The Wire
ACTIVITY CENTER “Möwen & Moos” 2:13 Music CD008/009, DoCD, 1999 – limited and numbered, 150 copies with original handmade covers by Fehmi Baumbach
MICHAEL RENKEL “Möwen & Moos – Remix” 2:13 Music CD014, CD, 2001 based exclusively on material from the original double CD
ACTIVITY CENTER & PHIL MINTON Absinth Records 006, CD, 2005 – limited and numbered, 500 copies with original handmade covers by Marcus Liebig
ACTIVITY CENTER “lohn & brot” Absinth Records, CD 017, 2010 – limited and numbered, 300 copies
Michael Renkel and Burkhard Beins were/are both members of:
trio with double-bass player Jürgen Morgenstern
NUNC: quartet with Wolfgang Ritthoff (voice) and Martin Pfleiderer (sax) NUNC (2:13 Music CDoo2, 1996) (1995-1999)
2:13 ENSEMBLE BERLIN: has worked in the area of combining contemporary composed and improvised music. quintet with Bettina Junge, flute, Margarete Huber,soprano and Markus Wettstein,metal objects - Two full length performances (five hours) of Cornelius Cardew`s “Treatise” (1998/1999). - ISOMERIE, comissioned work for Kryptonale 1998, Berlin - Pricewinner of the Wettbewerb für Junge Kultur/Düsseldorfer Altstadtherbst 1999. (1997-2000)
with Phil Durrant,violin and Rhodri Davies, harp, British Arts Council tour 1998.
PHOSPHOR (Berlin): with Annette Krebs (guitar, electronics), Robin Hayward (tuba), Ignaz Schick (electronics), Andrea Neumann (inside-piano, electronics) and Axel Dörner (trumpet, electronics) (with Alessandro Bosetti, soprano saxophone, from 2000-2005).
PHOSPHOR: (Potlatch P501 CD, 2002) PHOSPHOR II (Potlatch P109 CD, 2009) (since 2000)
MEK: Burkhard Beins (analogue electronics, electro-acoustic treatments, chimes), Michael Renkel
(acoustic nylon-string guitar, analogue synth, electronics) with Derek Shirley (bass synthesizer) (since 2009)